November 3
ART OF THE ANCIENT WORLD
10:30 – 17:00. 

The State Hermitage Museum, Library of the Department of the Ancient World. Dvortsovaya emb., 34
Chairmen: Anna A. Trofimova, Nadia C. Jijina
Time limit – 15 min.


ANNA A. TROFIMOVA (Head of the Department of Greek and Roman Art and Archaeology of The State Hermitage Museum). Welcome speech.

NADEZHDA A. NALIMOVA (Lomonosov Moscow State University, Russia). Casts from Baia: between the Original and Copy (Researching Greek Bronze Sculpture of the Classical Period).

ANASTASSIA MELCHENKO ( State Institute for  Studies in Art, Moscow, Russia). Luristan Bronzes: Main Themes and Types of Their Compositional Structure.

EUGENIA M. MALKOVA (The State Hermitage Museum, St. Petersburg, Russia). A Decoration or a Symbol: Diadem in Ancient Greek Art.

EKATERINA V. MOGILEVSKAYA (St. Petersburg State University, Russia). A “Watercolour” Pelike from A.E. Liutsenko's Excavations in the Necropolis of Panticapaion. The Problems of Date, Attribution and Semantics of the Image.

EKATERINA S. IZMAILKINA (The State Hermitage Museum, St. Petersburg, Russia). The Problem of Greek, Roman and Oriental Architectural Tradition Penetration into Classical Order Constructions in Asia Minor of Hellenistic and Roman Times.

TAMAS KISBALI (Lomonosov Moscow State University, Russia). Sculptural Decorative Principles of Mausoleum at Halicarnassus.

13.00 – 14:00 BREAK

ANNA S. KOSTROVA (The State Hermitage Museum, St. Petersburg, Russia). To the Problem of Specific Features of Roman Architecture in the Cities of Gallia Narbonensis in the 1st century BC – 2nd century AD.

ROMAN V. GONCHAROV (St. Petersburg State University of Technologies and Design, Russia). The Problem of Representing Speech, Sounds and Smells in Maya Vase Painting of the Late Classic Period.

CATHERINE B. KOSENKOVA (Pushkin Leningrad State University, St. Petersburg, Russia). The Syracuse Metamorphoses: to the Problem of Successive Architectural Transformations from Antiquity to Christianity (as Exemplified by the Temples of Graecia Magna).

DARYA YU. KISELYOVA (The State Hermitage Museum, St. Petersburg, Russia). Statuette of Venus by Leonard Kern as an Example of Continuity in the Existence of the Medici Aphrodite Sculptural Type: to the Problem of an Image Development from Antiquity to Early Modern Period.

ELENA N. DMITRIEVA (The State Hermitage Museum, St. Petersburg, Russia). The Phemomenon of Neoclassicism and Count Lev A. Perovsky’s Dactyliotheca of Antique Engraved Gems.

EKATERINA YU. TRIFONOVA (St. Petersburg State University, Russia). Once Again about the Statue of Philosopher from the Collection of The State Hermitage Museum.

DMITRY S. VASKO (The State Hermitage Museum, St. Petersburg, Russia). Evgeny A. Shumansky – a Collector from Odessa: the Story of One Sale.

The Closing Session

16:30– 17:00 The State Hermitage Museum

10:30 – 18:00 Seminars in the State Hermitage Museum

November 2

PROBLEMS OF THEORY OF ART AND CULTUROLOGY
10.00 – 14.00, Petrovsky hall
Chairmаn: Victor G. Vlasov

Time limit – 15 min.


RIMMA A. FEDOTOVA (St. Petersburg State Polytechnic University, Russia). On the Integrated Approach to the Studies of the Medieval Russian Painting (Interpretation of the Method of Pavel Florenskiy).

OLGA YU. NESTEROVA (St. Petersburg Institute of Economics and Management, Russia). The Problem of Depictive Storytelling in the Medieval Art from the Viewpoint of the Narrative Theory.

MICHAEL A. VENSCHIKOV (St. Petersburg State University, Russia). Rhetorical Modes in the Monumental Painting of the Chora Church.

ANASTASIYA S. TRAPEZNIKOVA (St. Petersburg State University, Russia). The Concept of "Canon" and "Tradition" in Modern Icon-Painting.

ELENA V. MOROZOVA (St. Petersburg State University, Russia). On the Complex Expert Evaluation of Crafted Bronze.

EKATERINA A. MELNIKOVA (Kaliningrad Art Gallery) A Woman in Life ‒ a Woman in Art.

ANNA V. ALEKSEEVA. (Repin St. Petersburg Academic Institute of Painting, Sculpture and Architecture, Russia). Synesthesia in Study of Art. Specificity of the Term.

ANTON V. VALKOVSKIYI (Volgograd State Social-Pedagogical University, Russia). Transformation of the Sociocultural Functions in the Actual Art.

ELIZAVETA V. SHEVELYOVA (St. Petersburg State University of Culture and Art, Russia). Private Museums in the Town of Kargopol and its Environs in the Archangelsky Region: the Phenomenon in the Context of Ethno-Tourism.

OLESYA S. ELISEEVA (Russian Institute of Culturology, Moscow, Russia). On  the Interaction Issues between Russian and Khakas Cultures.

AYGUL K. SIRAIEVA (The State Museum of Fine Arts of the Tatarstan Republic, Kazan, Russia). Stylistic Trends of the Leather Mosaic in Tatarstan.

EKATERINA N. TIMOFEEVA (Kazan State University of Culture and Arts, Russia). Lace-Making by Russian Population in Tatarstan in the End of the 20th – Beginning of the 21st Century: Study, Preservation and Development.

SVETLANA N. SHUMAKOVA (Kharkov State Academy of Culture). Relevancy of the World Representation by the Circus Art and Its Cultural Genesis.


RUSSIAN ART OF THE 18TH – EARLY 20TH C.

14.30–21.00. Petrovsky hall
Chairmen: Tatyana V. Ilyina, Ekaterina A. Skvortsova

Time limit – 15 min.

INGA V. SEVERTSEVA (Lomonosov Moscow State University, Russia). To the Question of Emergence of Half-Domes in the Russian Architecture in the Beginning of the 18th century.

ALEXEY V. KRAYNIY (St. Petersburg State University, Russia). On the Problem of Moscow Influence on the Church Architecture of St. Petersburg in the 18th century.

PYOTR L. BARANOV (Lomonosov Moscow State University, Russia).  Karl Blank: Synthesizing Moscow Traditional and West European Baroque and Classicist Architecture.

VERA S. NAUMOVA (Lomonosov Moscow State University, Russia). Estate Buildings of K.G. Razumovsky in Malorossija. Specific Features of Architectural Commission.

MARIA I. STIHINA (Ural Federal University, Ekaterinburg, Russia). Nicolay Wrangel – a Researcher of the Art of Fyodor Rokotov.

ZALINA V. TETERMAZOVA (Lomonosov Moscow State University, Russia). Painted and Engraved Portrait in Russia in the Second Half of the 18th Century. The Problem of Correlation between an Image and a Word.

ANA KOSTIC (The University of Belgrade, Serbia). Memorial Church of Nikolay Raevsky in Gornji Adrovac.

VUK NEDELJKOVIC (The University of Belgrade, Serbia). The Monuments to the Serbian-Turkish Wars (1876 – 1878) in the Kingdom of Serbia.

MARAT G. ISMAGILOV (European University at St. Petersburg, Russia). Societies of the Artistic Works Exhibitions in the 1870s. On the Problem of Institutional Changes in Russian Art.

MARINA A. POLITOVA (The State Historical Museum Reserve "Gorki Leninskie", Moscow, Russia). The Porcelain Collection of Zinaida Morozova-Reinbot: Typological Classification of the Objects.

OLGA V. KONEVA (The Ekaterinburg Museum of Fine Arts, Russia). Reception of  the West European Phenomenon of "Gothic Revival" by the Russian Art in the Late 19th – Early 20th Century.

17.30 – 18.00 BREAK

ANASTASIA O. DOBINA (St. Petersburg State University, Russia). Baron Stieglitz Central College of Technical Drawing: Critical Evaluation of the Arts and Crafts Education in the 1876–1900s.

EKATERINA A. KULINICHEVA (Stroganov Moscow State Academy of Arts and Industry, Russia). G. Stickley's magazine "Craftsman": American Art Criticism on the Abramtsevo and Talashkino Art Groups.

VALENTINA SH. HAIROVA (Repin St. Petersburg Academic Institute of Painting, Sculpture and Architecture, Russia). Charles Rennie Mackintosh and Moscow: a View from Russia.

ANASTASIYA I. DOLGOVA (Repin St. Petersburg Academic Institute of Painting, Sculpture and Architecture, Russia). National Motives in the Art Nouveau Interior of St. Petersburg. Houses of the Insurance Society "Russia" and the Trade-Industrial Society of Bazhanov and Chuvaldina.

YULIYA I. CHEZHINA (St. Petersburg State University, Russia). A Forgotten Portrait by G.G. Myasoyedov.

TANJA MALYCHEVA (Westfälische Wilhelms-Universität Münster, Institut für Kunstgeschichte). A Step Towads Modernism. Serov and the Post Impressionist Movements in European Art.

ELMIRA R. AKHMEROVA (The Pushkin State Museum of Fine Arts, Moscow, Russia). On the Influence of Art Nuveau on Russian Portrait Painting in the End of the 19th – Beginning of the 20th Centuries.

ELENA V. IVANOVA (Glazunov Academy of Painting, Sculpture and Architecture, Moscow, Russia). Graphic Self-Portraits of Painters: a Man and His Image in Artistic Mind of the “Silver Century”.

ELENA N. KAMENSKAYA (Lomonosov Moscow State University, Russia). "Ethnographic portrait" in the Art of A.E. Yakovlev.

ELENA S. KORVATSKAYA (Repin St. Petersburg State Academic Institute of Painting, Sculpture and Architecture, Russia). Stylistic Trends in Children Book Design and Illustration in Russia in the 1900 – 1910s.


WESTERN ART OF THE 20th c.

14.00 – 20.00 Auditorium 72
Chairman: Anatoly V. Rykov
Time limit – 15 min.

EKATERINA S. KHMELNITSKAYA (The State Hermitage Museum, St. Petersburg, Russia). KERSTI KULDNA‒TURKSON (The Kadriorg Art Museum, Estonia). A Big Calm Road – Forgotten Art of August Timus, Estonian Sculptor.

ELENA A. PETUKHOVA (St. Petersburg State University, Russia). American Poster in the 1890s. The Origins and General Characteristics of Peculiarities.

ALYONA V. GRIGORASH (Stroganov Moscow State University of Arts and Industry, Russia). Ernest Louis, Grand Duke of Hessen and the Image of an Amateur of Art in the Art Nuveau Epoch.

VERA V. AVDEEVA (Ural Federal University, Ekaterinburg, Russia). Naive and Avant-garde Artists in Germany: Specifics of Interaction in the Late 19th ‒ First Third of the 20th century.
 
MARIA А. KRASNOKUTSKAYA (Lomonosov Moscow State University, Russia). Art Deco Jewelry in France: Interaction between Culture and the Accessories in the 1920‒1930s.

OLGA N. ZINEVICH (St. Petersburg State University, Russia). The Problem of Tradition and Neomythologism in Modern Art: Ancient Motives in Livre d'Art it the First Half of the 20th Century. Picasso, Matisse, Laurens, Maillol.
 
DINA N. ALESHINA (Repin St. Petersburg State Academic Institute of Painting, Sculpture and Architecture, Russia). Ben Nicholson and Patrick Heron: British Abstract Painting Before and After the World War II.

MAYA G. SMOLINA (Siberian Federal University, Krasnoyarsk, Russia). Marc Chagall and V.F. Kapelko: Shared Motives.

16:30 – 17:30 BREAK

DANILA A. BULATOV (The Pushkin State Museum of Fine Arts, Moscow, Russia). The First Documenta of 1955 and the Problem of Speculative History of Art.

ALEXANDER O. KOTLOMANOV  (Stieglitz St. Petersburg State Art and Industry Academy, Russia). Sculpture by Henry Moore in the Context of the Problems of a Modern Monument.

LORA MITIC (The University of Belgrade, Serbia). Exhibitions of American Art in Belgrade during the Cold War: on the Problem of Relationships between Art and Politics.

ANASTASIYA E. CHELOVAN (St. Petersburg State University, Russia). Spanish Art in the Works of the Pop-Art Group Equipo Cronicа. New Meanings.

JELENA MATIC (Belgrade, Serbia). Modernism and Postmodernism Photography: Theory and the Ways of Representation.

KIRILL A. CHUNIKHIN (European University at St. Petersburg, Russia). Clement Greenberg's "Historical Apology" of Modernism and its Evolution.

ANASTASIA V. SPUGOVA (The Research Institute of Theory and History of Art of Russian Academy of Fine Arts, Moscow, Russia). The Word in the Space of  Paintings of Eric Bulatov.

November 1
EASTERN CHRISTIAN ART
10.00 – 14.30.
Petrovsky hall
Time limit – 15 min.

Chairmen: Svetlana V. Maltseva, Anna V. Zakharova

ALESSANDRA AVAGLIANO (Sapienza University, Rome, Italy). The Poet and the Architect: a Consideration on Byzantine Epigrams.

LILIT SH. MIQAELYAN (Yerevan State University, Armenia). Some Compositional Schemes and Iconographic Motives in Early Christian Sculpture of Armenia in the Light of Sassanian Influence.

ELENA S. LAVRENTYEVA (Russian State University for the Humanities, Moscow, Russia). Ancient Churches of Gethsemane.

ALEXANDRA V. SHCHERBAKOVA (Lomonosov Moscow State University, Russia). Marble Decoration of the Interior of the Catholicon of Hosios Loukas in Phocis.

ELENA V. LAVRENTYEVA (Russian State University for the Humanities, Moscow, Russia). Mosaic Ornaments of Santa Maria Assunta in Torcello.

ANNA L. MAKAROVA (State Institute for Art Studies, Moscow, Russia). Frescoes of Betania (Georgia) and the Altar Programmes of Georgian Churches in the 11th–12th centuries.

SVETLANA N. TATARCHENKO (State Institute for Art Studies, Moscow, Russia). Iconographic Programme and Style of the Murals in the Church of Our Lady of Kintsvisi Monastery (Georgia).

LORENZO RICCARDI (Sapienza University, Rome, Italy). Hagiographical Icons in the Byzantine Wall Painting of Calabria and Southern Italy.

FRANCESCO LOVINO (The University of Padua, Italy). The Miniatures of Michael Glycas' Chronicles in the Marcianus gr. 402.

OLGA D. BELOVA (Lomonosov Moscow State University, Russia). Miniatures of the Greek Psalter of the Second Half of the 13th century from the Russian National Library (gr. 269).

MARIA I. YAKOVLEVA (Russian State University for the Humanities, Moscow, Russia). The Icon of Christ Emmanuel from the State Historical Museum – a Micromosaic of Early Palaiologan Period.

ELENA A. NEMYKINA (St. Petersburg State University, Russia). The Composition “Upon thy Right Hand Did Stand the Queen” and the Problem of the Novgorodian-Balcan Links in the 14th century Painting.

ALEXANDRA A. YAKOVLEVA (“The Artel”, St. Petersburg, Russia). Ktitor Compositions in the Murals of Medieval Serbia. The Regional Peculiarities and Problems of Research.

VERA A. KHANKO (Lomonosov Moscow State University, Russia). Two Icons of Crucifixion of the Late Byzantine Period from the Collections of the State Tretyakov Gallery and the State Russian Musem.

ERKAN KAMBEK (Istanbul Technical University, Turkey). Western Restoration Approaches and Practices in Turkey.



OLD RUSSIAN ART
15.30–19.30. Petrovsky hall
Time limit – 20 min.
Chairmen: Valentin A. Bulkin, Ilya V. Antipov

MIKHAIL V. STEPANOV (Scientific Research Institute “Specproektrestavratsya”). Working Methods of Old-Russian Architects.

DENIS D. YOLSHIN (The State Hermitage Museum, St. Petersburg, Russia). The Two-Pillar Churches of Pereyaslavl-of-Russia: Byzantine Context.

ANNA A. FREZE (St. Petersburg State University, Russia). The Church of St. Michael in Pereyaslavl-of-Russia and Byzantine Architecture of the 9th – Early 13th Century.

DARYA A. SKOBTSOVA (The Interregional Agency for Scientific Restoration of Works of Art, Moscow, Russia). On the Issue of Dating of the Murals from the Burial Church in Euphrosyne’s Convent of Polotsk.

EKATERINE KVATCHATADZE (The G. Chubinashvili National Research Centre for Georgian Art, Tbilisi, Georgia). On Medieval Façade Sculpture in the Orthodox World.

SVETLANA A. KIRYANOVA (The Central Andrey Rublev Museum of Ancient Russian Culture and Art, Moscow, Russia). On the Icon "Mother of God Hope of all Ends of the Earth".

EKATERINA I. MOROZOVA (The All-Russian Artistic and Scientific Center for Restoration named after I.E. Grabar, Moscow, Russia). Three Illuminated Manuscripts from the Iosifo-Volokolamsky Monastery.

NATALIA M. ABRAMENKO (Lomonosov Moscow State University, Russia). Saints Boris and Gleb as Patrons of the Russian Army in the Works of Art of the 16th – 17th Centuries.

PETR G. ERSHOV (St. Petersburg State University, Russia). The Dormition Cathedral of Staritski Monastery and "Archaizing" Monuments of the First Half of the 16th Century.

NATALIA G. TITORENKO (St. Petersburg State University, Russia). Znamenskaya Church in Tverskaya Street and Some Peculiar Features of Interpretation of Medieval Russian Forms in Petersburg Architecture of the Beginning of the 20th Century.


MEDIEVAL AND EARLY MODERN WESTERN ART

12.00–19.00 Auditorium 66

Chairmen: Maxim A. Kostyrya, Anastasia S.Yarmosh
Time limit – 15 min.

MARINA A. LOPUKHOVA (Lomonosov Moscow State University, Russia). Imaginary Reconstruction of Antiquity in the Paintings of Andrea Mantegna and Filippino Lippi.

PAVEL A. ALYOSHIN (Lomonosov Moscow State University, Russia). Benedetto Varchi and the Cinquecento Art Theory.
 
VERA N. ZAKHAROVA (European University at St. Petersburg, Russia). Modern Art History on Italian Renaissance Portraiture: Topical Methodologies and Issues of Research.

LIYA A. CHECHIK (Lomonosov Moscow State University, Russia). Ancient Jewish Inscriptions in Venetian Religious Painting of Renaissance.

EKATERINA V.OVCHINNIKOVA (Lomonosov Moscow State University, Russia). Reflection of the Social Changes in the Architecture of French Castles of the 16th Century.

LYUDMILA V. MIKHAILOVA (St. Petersburg State University, Russia). Landscape Motives in the Print Graphic of Hans Burgkmair the Elder (1473–1531).

STEFANIYA A. KOVBASIUK (Shevchenko Kyev National University, Ukraine). "Evil Women" in Paintings by "De Zotte schilders": Iconographic and Social Aspects.

MARINA L. MUSUROK (St. Petersburg State University, Russia). To the Problem of Depiction of the Duchy-of-Burgundy Cities (Bruges, Utrecht, Haarlem) in the Paintings of Anonymous Masters of the 15th Century.

LYUBAVA D. PETROVA (European University at St. Petersburg, Russia). Dutch Artistic Calligraphy in the Context of Visual and Written Culture of the 17th Century.

15.00 – 16.00  BREAK

IRINA M. SONINA (The School “Epigraph”, St. Petersburg, Russia). Specific Features and Stages of Evolution of the Spanish Genre Painting in the 17th Century.

MARIA A. PRIKLADOVA (St. Petersburg State University, Russia). Evolution of the Image of St. Michael in the Art of Sevillian Masters of the Middle and the Second Half of the I7th Century.

AUKSĖ KALADŽINSKAITĖ (Vilnius University, Lithuania). Work of the Architect Joseph Fontana (III) in Vitebsk Province of the Grand Duchy of Lithuania.

VERA A. DUBROVINA (Stroganov Moscow State University of Arts and Industry, Russia). Evolution of the "Egyptian Style" in the French Architecture of the First Half of the 19th Century.

EKATERINA A. SKVORTSOVA (St. Petersburg State University, Russia). Military Theme in the Art of J. A. Atkinson.

ELENA G. GOIKHMAN (Lomonosov Moscow State University, Russia). Eugène Delacroix and the Image of the Middle Ages in the Romanticism Art at the Turn of the 1820-1830s.

MARINA A. IVASYUTINA (Repin St. Petersburg State Academic Institute of Painting, Sculpture and Architecture, Russia). The Origins of the Series Concept in the French Impressionist Landscape of the mid-19th Century.

ANASTASIYA S. YARMOSH (St. Petersburg State University, Russia). The Problems of Interpretation of the Subjects from Scandinavian Epos and Myths in Swedish Porcelain of the Middle and the Second Half of the 19th Century.

DINA N. BAKUN (The State Hermitage Museum, St. Petersburg, Russia). "Alice in Wonderland" and Some Peculiarities of the Genre of Children's Illustration in the Second Half of the 19th – Early 20th Century in England.

RUSSIAN ART OF THE 20TH C.

13.30– 20.30. Auditorium 72
Chairmen: Ekaterina Yu. Stanyukovich-Denisova, Mikhail Yu. Evsevyev

Time limit – 15 min.

NIKITA R. YURINOV (St. Petersburg State University). On the Problem of Architectural Education in the Institute of Civil Engineers.

ILYA M. LAPIN (Moscow Architectural Institute, Russia). Graduates of the Academy of Fine Arts – Teachers in People’s Municipal University in Nizhniy Novgorod in 1918 – 1919.

GALINA V. MALYASOVA (The Museum of Moscow Architectural Institute, Russia). D. T. Yanovich and Reorganisation of the Museum of  Former Stroganov College. 1918 – 1924.

TIMUR R. VAКHITOV (Moscow Architectural Institute, Russia). Moscow and Petrograd Schools of Civil Architecture of the 1920s: Aspects of Interaction.

ILYA A. KANTOR (T. Bashkaev Architectural Bureau, Moscow, Russia). Concepts of Architectural Environment in the Graduation Projects of Ivan Fomin and Igor Fomin.

EKATERINA I. SHABUNINA (St. Petersburg State University, Russia). The Works of the Architect Yakov Gevirts after 1917.

ANDREY A. LARIONOV (The Committee of State Control, Use and Protection of Monuments of Art and Culture, Saint-Petersburg, Russia). Town-planning Issues and Their Solutions in the Graduation Projects of the Students of the Academy of Fine Arts in 1925 – 1930.

SVETLANA A. YURKOVA (Russian State University for the Humanities, Moscow, Russia). The Scenic Art in the Bolshoy Theatre and the Artistic Culture of the 1920s. Experiment and the Search for a New Form.

ELENA V. ZABELINA (Ushinskiy Yaroslavl State Pedagogical University, Russia). Gabriel Guevrekian – the First General Secretary of Congrès International d'Architecture Moderne (CIAM). Studying the Archive Materials.

16.30 – 17.30. BREAK

MARIA A. BULATOVA (Lomonosov Moscow State University, Russia). City as a Theater Space in the Paintings of OST Artists.

DARYA A. KOSTINA (Ural Federal University, Ekaterinburg, Russia). Grigoriy Musatov: Russian Origins of the Art of the Painter in Emigration.

OLGA V. FURMAN (The State Tretyakov Gallery, Russia). Portrait in the Art of Pavel Filonov. From Realism to Naturalism.

XENIYA V. SMIRNOVA (Lomonosov Moscow State University, Russia). Unrealized Projects of the Contests for Memorials to Heroes and Victims of the World War II.

ULYANA P. DOBROVA (Lomonosov Moscow State University, Russia). Op-art: Interpreting Russian Avant-garde in the Context of Khruschev Thaw ("Ottepel"). Experience of Plastic Heritage in the Art of Anna Andreeva.

ANNA YU. MISHCHUK (St. Petersburg State University, Russia). Dina Vierny and Soviet Artists.

ALEXANDRA A. ESCHENKO (Cathedral of St. Sophia, Novgorod Velikiy, Russia). Poetics of Spiritual and Secular in the Art of Vik, St. Petersburg Painter.

TATIANA V. SHLYKOVA (The Association of Art Critics, St. Petersburg, Russia). Traditions of Russian Avant-garde in Teaching Practice at the Turn of the 20th – 21st Centuries (as Exemplified in Pedagogical Work of A.V. Kondratyev).

ALINA S. GORLENKO (Herzen State Pedagogical University, Russia). The Image of a Historical Personality in the Urban Sculptural Monument in St. Petersburg at the Turn of the 20th  – 21st Centuries: Applying Textual Analysis.

October 31
PLENARY SESSION
Faculty of History, St. Petersburg State University
Auditorium 70
Chairmen: Tatyana V. Ilyina, Ivan I. Tuchkov
Time limit – 20 min.

DR. PROF. TATYANA V. ILYINA (Chairman of the Conference Organizational Committee, professor of the Department of Russian Art History, Faculty of History, St. Petersburg State University). Welcome speech.

DR. LARISA A. TSVETKOVA (Vice Rector, St. Petersburg State University). Welcome speech.

DR. PROF. ABDULLA KH. DAUDOV (Dean of the Faculty of History, St. Petersburg State University). Welcome speech.

DR. PROF. SERGEY P. KARPOV (Dean of the Faculty of History, Lomonosov Moscow State University). Welcome speech. (Remote access by “Polycom”)

DR. PROF. IVAN I. TUCHKOV (Chief of the Department of General Art History, Faculty of History, Lomonosov Moscow State University). Welcome speech.

DR. ALEXANDRA P. SALIENKO (Deputy Chief of Russian Art History Department, Faculty of History, Lomonosov Moscow State University). Welcome speech.

DR. PROF. GEORGIY V. ESAULOV (Vice Rector, Moscow Architectural Institute) Welcome speech. (Remote access by “Polycom”)

DR. JELENA ERDELJAN (The University of Belgrade, Serbia). Welcome speech. (Remote access by “Polycom”)

DR. PROF. IVAN STEVOVIC (The University of Belgrade, Serbia). Welcome speech. (Remote access by “Polycom”)


ANASTASYA S. LOOGO (B. Ioganson St. Petersburg State Academic Art Lyceum, Russia). A propos “Escape to St. Petersburg” and its Author.

DR. OLEG M. IOANNISYAN (Head of the Department of Architectural Archaeology, The State Hermitage Museum, St. Petersburg). On Periodization of the Initial Stage of Development of Old Russian Architecture (End of the 10th – 11th cc.)

DR. MIKHAIL I. MILCHIK (Deputy Chief of the Scientific Research Institute “Specproektrestavratsya”, Member of the Cultural Heritage Board of the Government of St. Petersburg). Solving the Riddle of the Portraits of Archbishop Afanasiy, or Once Again a propos their Attribution.

DR. NADIA C. JIJINA (The State Hermitage Museum, St. Petersburg, Russia). On the Crossroads of Knowledge or the Age of Topicality: Problems of Greek and Roman Art as Part of General Classical Studies.

DR. ZARUHY HAKOBIAN (Yerevan State University, Armenia). Early Mediaeval Sculpture of Gugark and Kartli. The Problems of the Artistic Style and Workshops.

DR. LIVIA BEVILACQUA (Sapienza University, Rome, Italy). Displaying the Past in Byzantium. Figural “Spolia” on the City Gates of Nicaea (13th Century).

СOFFEE BREAK. Auditorium 68

DR. EKATERINE GEDEVANISHVILI (National Research Centre for the History of Georgian Art and Monuments Protection, Tbilisi, Georgia). The Representation of the Last Judgment in the Ikvi Murals. (Remote access report by “Polycom”)

DR. IVANA JEVTIC (Koc University, Turkey). Multiplication and Amplification of Narrative Elements in Late Byzantine Painting: Questions They Raise about Sacred Images.

DR. ANESTIS VASILAKERIS (Bosphorus University, Istanbul, Turkey). Can Psychoanalysis Contribute to Byzantine Art History?

DR. ELENA A. EFIMOVA (Lomonosov Moscow State University, Russia). Three Albums from H. Destailleur's Collection in the State Hermitage Museum: Some Problems of Interpretation.

DR. VADIM G. BASS (European University at St. Petersburg, Russia). Death of Chorus: War Monuments as Machines of Memory and Oblivion.

DR. PROF. STEPAN S. VANEYAN (Lomonosov Moscow State University, Russia). The Art Studies and Science: the Limits of the Possible.

EKATERINA YU. STANYUKOVICH-DENISOVA (St. Petersburg State University, Russia). Architectural Training in Petersburg – Leningrad in the First Half of the 20th Century. Some Problems of Research.

DR. ANNA V. ZAKHAROVA (Lomonosov Moscow State University, Russia). The Principles of Grouping the Images of Saints in Pre- and Post-Iconoclastic Byzantine Painting. Some Observations.

SVETLANA V. MALTSEVA (St. Petersburg State University, Russia). Centrally-planned Polykonchial Churches in the Balcans. Actual Problems of Research.

Opening of the exhibition of photographs “The Caucasus: a Trail of Memories” (foyer of the Lectorium, Faculty of History).