November 24


10.00–15.00.  Auditorium D 5

Chairmen: Ivan I. Tuchkov, Alexandra P. Salienko

SERGEY P. KARPOV (corresponding member of Russian Academy of Sciences, dean of the Faculty of History, Lomonosov Moscow State University). Welcome speech.
IVAN I. TUCHKOV (chief of Universal Art History Chair, Faculty of History, Lomonosov Moscow State University). Welcome speech.
ALEXANDRA P. SALIENKO (deputy chief of Russian Art History Chair, Faculty of History, Lomonosov Moscow State University). Welcome speech.
EKATERINA YU. STANYUKOVICH-DENISOVA (senior lecturer of Russian Art History Chair, Faculty of History, St. Petersburg State University). Welcome speech.
SERGEY V. KHACHATUROV (associate professor of Russian Art History Chair, Faculty of History, Lomonosov Moscow State University). On the Painting “Acme”.
NADEZHDA A. NALIMOVA (Lomonosov Moscow State University). The Classical Athens before the “Age of Pericles”: the Lost Monuments of Architecture and Painting.
VALENTINA CANTONE (University of Padua). A Study on the Illuminated Manuscripts from the Parchment to the Digital Library Online: Report on a Project Financed by the European Social Founds.
ANNA V. ZAKHAROVA (Lomonosov Moscow State University). Byzantine Painting of the Second Half of the 10th – Early 11th c. in Manuscript Illumination.
SILVIA PEDONE (“Tor Vergata” University, Rome). Visual Effects and Visual Infection in Islamic and Byzantine Champleve Sculpture.
SVETLANA V. MALTSEVA (St. Petersburg State University). On the Problem of Balkan Influences and Parallels in the Architecture of Medieval Russia.

12.30–13.00.  Break

VASILIY A. RASTORGUEV (Lomonosov Moscow State University). The Borders of Art: Model and Technical Drawing in Early Modern Europe.
EKATERINA YU. STANYUKOVICH-DENISOVA (St. Petersburg State University). The Activities of F.-W. Bergholtz in Germany: the Ways of Making the Collections of Architectural Drawings in the 18th c.
YULIYA I. CHEZHINA (St. Petersburg State University). The Image of a Lady on Horseback in 18th c. Russian Culture. On the Typology of Equestrian Portraits.
ELENA V. KLYUSHINA (St. Petersburg State University). The Magazine L’Assiette au beurre and its Artistic Peculiarity.
ALEXANDRA P. SALIENKO (Lomonosov Moscow State University). Memento mori in Russian Painting of the 1920–1930ies.
STEPAN S. VANEYAN (Lomonosov Moscow State University). Document, Monument, Work of Art. The Images of Art in Studies on Art.

17.00. Excursion to the Pushkin State Museum of Fine Arts.

November 25


10.00–13.00.  Auditorium D 5

Chairmen: Natalia M. Nikulina, Nadezhda A. Nalimova

OLEG S. ZVONKOV (Stroganov Moscow State University of Industrial and Applied Arts). Alabaster Objects from the Tomb of Tutankhamun.
TAMAS KISBALI (Lomonosov Moscow State University). Burial Buildings of the 4th c. B. C. in Caria.
EKATERINA V. MOGILEVSKAYA (St. Petersburg State University). On the Problem of Dating the Group of Bosporan Watercolor Pelikai in the Collection of the State Hermitage.
DMITRIY S. VASKO (St. Petersburg State University). On the History of Falsificating the Ancient Greek Painted Ceramics.
EKATERINA V. ZHURBINA (Lomonosov Moscow State University). The Story of Amour and Psyche in Ancient Roman Art.
LYUBAVA D. PETROVA (European University at St. Petersburg). Frescoes in the Baths of Qasr Amra Castle. The Aspects of Perception of Antiquity Heritage in the Muslim Arab Culture.
EKATERINA V. KIRYUSHKINA (Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts; Kunsthistorisches Institut in Florenz). The Decoration in Spanish Muslim Palace Architecture: the Peculiarities of its Shaping and Development.


10.00–13.00.  Auditorium E 621

Chairman: Andrey A. Karev

AYGUL M. BERDYEVA (Lomonosov Moscow State University). The Image of Water in the Portraiture of the Time of Peter the Great
INGA V. SEVERTSEVA (Lomonosov Moscow State University). St. Nicholas Church of Rudnevo in Tula District — a Monument of Russian Architecture of the First Half of the 18th c.
PYOTR L. BARANOV (Lomonosov Moscow State University). On some Peculiarities of the Iconostasis of St. Clement Church on Pyatnitskaya Street in Moscow.
ALEXANDRA O. OTRISHKO (St. Petersburg State University). The Graphic Works by Anton P. Losenko (1737–1773): Foreign Influence and National Identity.
ALEXEY V. KRAYNIY (St. Petersburg State University). The Five Dome Composition in the 18th c. Church Architecture of St. Petersburg.
ANASTASIYA V. YUROVETSKAYA (Lomonosov Moscow State University; State Research Institute for Restauration). Religious Painting in the Work of Salvatore Tonci.


14.00–19.00.  Auditorium D 5

Chairmen: Olga S. Popova, Anna V. Zakharova

MARIA A. GRAFOVA (Lomonosov Moscow State University). The Apse of Santa Maria Antiqua and some Related Historiographical Problems.
ALEXANDRA V. SHCHERBAKOVA (Lomonosov Moscow State University). The Space of the Catholicon of Hosios Loukas in Phocis and its Possible Prototype — the Church of Sts. Sergius and Bacchus in Constantinople.
ANNA A. FREZE (St. Petersburg State University). The Correlation of Central and Peripheral Zones in Byzantine and Russian Churches: on the Usability of the Term “Five-Nave” regarding the 9th–12th c. Monuments.
MARIA V. GRINBERG (Lomonosov Moscow State University; State Research Institute for Restauration). The Menologion Syn. Gr. 9 and Manuscripts of its Circle.
ANNA L. MAKAROVA (State Institute for Art Studies). The Frescoes in the Apse of the Church of Nativity of the Virgin in Betania (Georgia). The Problems of Style and Dating.
OLGA V. OVCHAROVA (Lomonosov Moscow State University). The History of Research on the Iconography of Nerezi Frescoes.
DARYA SKOBTSOVA (Interregional Agency for Scientific Restoration of Works of Art). The Images of Saintly Princes Boris and Gleb in the Wall Paintings of Transfiguration Cathedral of Euphrosynia’s Monastery in Polotsk.

16.30–17.00.  Break 

ALESYA V. VEREMYOVA (Lomonosov Moscow State University). The Icon of the Virgin “delle Benedettine” from Andria Cathedral and some Other Monuments of Byzantine Icon-Painting in Southern Italy. The Problem of Artistic Connections between East and West around 1200. 
LORENZO RICCARDI (“La Sapienza” University, Rome). Between West and East: on some Unknown Panels of the 13th–14th cc. in Latium (Italy).
OLGA D. BELOVA (All-Russian Museum of Applied and Popular Art). On the Style of Miniatures in a Late 13th c. Byzantine Manuscript (National Library of Russia, gr. 101).
MARKA TOMIC DJURIC (University of Belgrade; Institute for Balkan Studies, Serbian Academy of Sciences and Arts). The Fresco Ensemble above the South Entrance at Markov Manastir.
VERA A. KHANKO (Lomonosov Moscow State University). “The Raising of Lazarus” Icon from the State Russian Museum in the Context of Development of Late Byzantine Art.
ELENA A. NEMYKINA (St. Petersburg State University). The Regional Specifics and the Problems of Influences in Medieval Bulgarian Architecture as Exemplified by some Monuments of Nessebar.
MILOS ZIVKOVIC (University of Belgrade). Between Russian and Western European Models: the Serbian Manuscript of Christian Topography of Cosmas Indicopleustes Reconsidered.
GIOVANNI GASBARRI (“La Sapienza” University, Rome). Byzantium in Objects and Objects from Byzantium. Doubts, Fakes and Misunderstandings in Historiography at the Turn of the 20th Century.

WESTERN ART OF THE 19th–20th cc.

14.00–19.00. Auditorium E 621

Chairmen: Valerij S. Turchin, Stepan S. Vaneyan

EKATERINA A. SKVORTSOVA (St. Petersburg State University). Illustrations of J. A. Atkinson to J. Beresford’s The Miseries of Human Life and A.B. Evans’ Cutter.
ELENA G. GOIKHMAN (Lomonosov Moscow State University; the Pushkin State Museum of Fine Arts). The Peculiarities of Perceiving and Interpreting the Classical Tradition in Eugene Delacroix’ Paintings on Oriental Subjects of the 1830–1840ies.
ANASTASIYA E. CHELOVAN (St. Petersburg State University). Mariano Fortuni as Representative of Impressionism in Spain.
ELENA A. PETUKHOVA (St. Petersburg State University). Jules Cheret and Les Maitres de l’affiche.
ANNA YU. MISHCHUK (St. Petersburg State University). The Role of Antique Heritage in Sculpture and Graphic Works by Aristide Maillol.
ANNA D. ZARUBINA (St. Petersburg State University). Amedeo Modigliani: the Interaction of Means of Expression.
OLGA V. MUROMTSEVA (Lomonosov Moscow State University). The Role of the Artistic Group Novecento italiano in the Process of Shaping the Totalitarian Art in Italy.

16.30–17.00.  Break

DINA N. ALYOSHINA (Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture). The British Abstract Painting of St Ives School. The Problem of Russian Influences.
ALYONA V. GRIGORASH (Stroganov Moscow State University of Industrial and Applied Arts). Gesamtkunstwerk: on the History of the Term in German Historiography.
MARINA YU. TOROPYGINA (Russian Institute for Culturology). The Mnemosyne Atlas: non finito in the History of Art.
MARIYA V. RAZGULINA (Lomonosov Moscow State University). Psychoanalysis and Architectural Theory. On the Problem of Interdisciplinary Approach to the Theory of Art.
ALINA A. ZORYA (St. Petersburg State University). Typology of Quotation in the Art of the Second Half of the 20th c.
VALERIYA O. VAN DER WESTHUIZEN (St. Petersburg State University; State Russian Museum). Peculiarities of Contemporary Australian Aboriginal Painting.

November 26


10.00–13.00.  Auditorium E 621

Chairmen: Engelina S. Smirnova, Alexander S. Preobrazhensky

DENIS D. YOLSHIN (The State Hermitage). The Architecture of Southern Pereyaslavl in the 11th–12th cc.: a School or a Team?
ANNA M. MANUKYAN (Lomonosov Moscow State University). The Iconographic Program of the Southern Gates of Suzdal Cathedral of the Virgin’s Nativity. Some Remarks.
EKATERINA I. MOROZOVA (Lomonosov Moscow State University; All-Russian Artistic and Scientific Center for Restauration named after I. E. Grabar). Polychrome Zoomorphic Initials in Moscow Manuscripts of the Late 15th c.
ALEXANDRA V. TRUSHNIKOVA (St. Petersburg State University). The Late 14th – Early 16th c. Churches without Piers in Pskov. On the Problem of Balkan Parallels.
POLINA A. TYCHINSKAYA (State Institute for Studies in Art). The Image of Archangel on Horseback in Byzantine and Post-Byzantine Art and its Connection with the Russian Iconography “Archangel Michael — the General of the Formidable Forces”.
DARYA V. NAYDYONOVA (St. Petersburg State University). The Iconographic Phenomenon of the Image of St Christopher on the Side Doors of the Altar Screen.
NATALYA M. ABRAMENKO (Lomonosov Moscow State University). The Images of the Saintly Princes Boris and Gleb in the Art of the Late 16th – Early 17th c. The Patronal Theme in the Art of Boris Godunov’s Time.
SVETLANA A. MELNIKOVA (Lomonosov Moscow State University; Andrey Rublyov Museum of Ancient Russian Culture and Art). On the Problem of Western European Models for the Landscape Backgrounds in Russian Icons of the Second Half of the 17th c.
ANASTASIYA S. TRAPEZNIKOVA (St. Petersburg State University). On the Problem of Spiritual and Aesthetic Reference Points of Contemporary Icon Painters.


10.00–13.00.  Auditorium D 5

Chairman: Mikhail M. Allenov

ANNA A. SUROVA (Repin St. Petersburg State Academy Institute of Painting, Sculpture and Architecture). The Influence of West European Models on Russian Monumental Painting of the Synodal Period: some Examples among the Churches of Tver District.
ANNA E. KUSTOVA (State Literature Museum). The 1812 Patriotic War and the World War I in Caricature.
ANNA L. PAVLOVA (Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts). Russian 19th c. Church Wall Paintings: the Reflection of Metropolitan Stylistic Processes in the Various Trends of Provincial Monumental Painting.
EKATERINA D. EVSEEVA (Lomonosov Moscow State University; State Tretyakov Gallery). New Materials for the Biography of the Painter I. V. Bugaevsky- Blagodarny.
ALEXANDRA A. VARLAMOVA (St. Petersburg State University). On the Question of the Initial Appearance of Pogodin’s Izba.
ELENA I. KATRUNOVA (St. Petersburg State University). D. A. Butyrin’s  Reconstruction Project of the Church of Our Lady at Sennaya Square.
EKATERINA O. MIROSHINA (V. Surikov Moscow State Academy Art Institute; Restauration Enterprise “Gion”). Late 19th – Early 20th c. Church Wall Painting. A Research on the Basic Tendencies and Trends in Programs of Monumental Decoration and in Single Compositions.
TANJA MALYCHEVA (Westfalische Wilhelms-Universitat, Munster). The Early Work of Serov in the Context of European Painting: the Example of Olga Trubnikova Portrait of 1886.
ELMIRA R. AKHMEROVA (Lomonosov Moscow State University; State Tretyakov Gallery). The Portraiture of Art Nouveau Style in Russia and in Europe.


14.00–18.30.  Auditorium D 5

Chairmen: Alexandra P. Salienko, Sergey V. Khachaturov

NINA L. DANILOVA (St. Petersburg State University). Decorative Motives of Vienna Sezession in the Architecture of St. Petersburg.
YULIYA YU. MOLOTKOVA (Lomonosov Moscow State University). Stained Glass in Moscow Art Nouveau Architecture.
TATYANA A. EFRUSSI (Lomonosov Moscow State University; Museum of Moscow Institute of Architecture). Bauhaus at Exhibitions in USSR. 1924–1932.
VADIM G. BASS (European University at St. Petersburg). “A Party of Forgetful Metaphors”. On the Problem of Pragmatics of the Classical Form in Russian Architecture of the 20th and Early 21st c. 
OLGA A. GOSHCHANSKAYA (Lomonosov Moscow State University). The Influence of German and French Artistic Schools on the Development of Drawing in the Work of Konstantin Istomin.
IVETA R. MANASHEROVA (Lomonosov Moscow State University). Three Unknown Early Albums of Mark Chagall.

16.00–16.30. Break

XENIYA A. KORABLYOVA (Lomonosov Moscow State University). Nikolay Kupreyanov. Stylistiс Evolution.
GALINA E. ABBASOVA (Lomonosov Moscow State University; the Pushkin State Museum of Fine Arts). Light and Color in the Work of Uzbekistan’s Artists of the 1920–1930ies.
OLGA V. FURMAN (Lomonosov Moscow State University). Image – Face – Mask in Figurative Painting by Kazimir Malevich, 1928–1933. On the Problem of Russian Avant-garde Imagery.
LARISA A. BOBKOVA (Lomonosov Moscow State University). Painting by B.F. Rybchenkov. On the Problem of the Inofficial Art of the 1930ies.
LYUDMILA V. MIKHAILOVA (St. Petersburg State University). The Artists of the Magazine “Kostyor”: on the Problem of Evolution in Russian Graphic Illustration for Children’s Magazines.
XENIYA V. SMIRNOVA (Lomonosov Moscow State University). Memorials to the Heroes and Victims of the Great Patriotic War. The Art of the 1960–1970ies and the Memorial Building: the Cross Points.


14.00–18.30. Auditorium E 621

Chairmen: Vera D. Dazhina, Vasiliy A. Rastorguev

NATALYA A. KOVALENKO (Sts Cyril and Methodius Post-Graduate and Doctorate School of the Russian Orthodox Church). Siena Painting of 1260–1300. The Particular Role and Place of the Virgin’s Images.
MARINA L. MUSUROK (St. Petersburg State University). The City inside and outside the Walls: the Analysis of the Limbourg Brothers Miniatures from the Books of Hours of Duke de Berry.
EKATERINA I. TARAKANOVA (Lomonosov Moscow State University). The 15th c. Italian Chapel and the Theatre.
MARINA A. LOPUKHOVA (Lomonosov Moscow State University). “Sacris superis initiati canunt”: the Idea of Elitism in the Decoration of Strozzi Chapel in the Church of Santa Maria Novella in Florence.
ELENA G. VERKHOVSKAYA (Lomonosov Moscow State University). Music as Symbol of Power. Italian Signorias and Musical Subjects in 15th – Early 16th c. Italian Painting.
ELIZAVETA A. TITOVA (Lomonosov Moscow State University; State Historical Museum). Ancient Domed Buildings of Rome in the Intrerpretation of Renaissance Architects.

16.00–16.30. Break

PAVEL A. ALYOSHIN (Lomonosov Moscow State University). Works of Art in the Poetry of Agnolo Bronzino.
ANASTASIYA A. ROGOZINA (St. Petersburg Theatre Academy). Juan Fernandez Navarrete El Mudo – a Representative of Escurial Painting School.
MARIA M. PROKHORTSOVA (St. Petersburg State University). Crucifices in the Work of Francisco de Zurbaran. The Sources and the Specifics of the Iconography.
MARIA A. PRIKLADOVA (St. Petersburg State University). The Work of Pedro de Mena in the Context of Spanish Baroque Sculpture of the Second Half of the 17th c.
ANA-TEODORA A. KURKINA (Lomonosov Moscow State University). The Development of Brancoveanu Architectural Style and its Diffusion in Danubian Principalities in 1688–1730.
DARYA A. DMITRIEVA (Lomonosov Moscow State University). The “English” and the “French” in the Language of Political Satire of William Hogarth.

18.30.  Auditorium D 5

The Closing Session

19.00.  Auditorium E 621

Presentation of the 1st volume of the Collection of Articles Аctual Problems of Theory and History of Art, 2010

November 27

10.00.  Visit to the Moscow Kremlin Museums

16.00.  Visit to the State Tretyakov Gallery